Saturday, April 7, 2018

Richard Rohr Meditation: "Human Bodies: Week 1 Summary" The Center for Action and Contemplation in Albuquerque, New Mexico, United States for Saturday, 7 April 2018

Richard Rohr Meditation: "Human Bodies: Week 1 Summary" The Center for Action and Contemplation in Albuquerque, New Mexico, United States for Saturday, 7 April 2018
Richard Rohr's Daily Meditation
From the Center for Action and Contemplation
Summary: Week Fourteen: "Human Bodies"
April 1 - April 7, 2018
I choose to believe in some kind of bodily resurrection because it localizes the Christ mystery in this material and earthly world and in our own bodies, the only world we know and the world that God created and loves. (Sunday)
This Creator of ours is patiently determined to put matter and spirit together, almost as if the one were not complete without the other. (Monday)
Our bodies are God’s dwelling place and even God’s temple (see 1 Corinthians 6:19-20). (Tuesday)
True spirituality is always bringing us back to the original bodily knowing that is unitive experience, which is why you cannot do it all in the head! (Wednesday)
Your mind can deceive you and put all kinds of barriers between you and your nature; but your body does not lie. (John O’Donohue) (Thursday)
The problem is not that you have a body; the problem is that you think you are separate from others—and from God. And you are not! (Friday)
"Practice: Drumming"

Seemed to me that drumming was the best way to get close to God. (Lionel Hampton [1])
There are many forms of body prayer—for example, chant, walking meditation, dance, yoga, tai chi, pilgrimages, prayer beads, gestures, and breathing exercises. From time to time in Saturday’s “Practice” I’ll invite you into an embodied form of contemplative prayer.
Today I’d like to share with you the practice of drumming, which I have used a lot in men’s work over the years. Every human culture has developed some form of drumming, the repetition of a steady beat, to encourage and inspire what writer Barbara Ehrenreich calls “Collective Joy.” [2] While drumming often supports dancing and musical performance, it also has a long history as contemplative practice.
The mental and physical focus required to drum stills the mind and shifts the drummer’s state of consciousness. Barbara Holmes, one of our CONSPIRE 2018 presenters, writes:
There have been studies that link alpha brainwave states to drumming. The alpha state refers to a dreamlike detachment and physical relaxation. The pattern of drumbeats seems to calm and focus the mind. “When the mind fixates . . . a profound state of Silence ensues.” [3]
Silence is an odd word to use in the midst of the cacophony of many drums. Yet the stillness referenced is akin to the intense spiritual engagement that marks the contemplative experience. [4]
Native American pow-wow and shamanic traditions use relatively simple rhythms to evoke a unified state in players and listeners. For indigenous people, the drum represents the universal heartbeat of Mother Earth that inspires the community to dance, sing, socialize, heal, and honor their culture.
Throughout the continent of Africa, drumming uses complex rhythmic patterns for communication, healing, entertainment, and prayer. As ethicist Peter Paris writes:
African arts are to enhance the everyday life of the people, not primarily to change their conditions but to enable the people to see and hear and feel beauty. As long as the people enjoy beauty, they do not succumb to the tragic elements in their midst. Their spirits are uplifted, and in that way the arts preserve and promote the wellbeing of the community. [5]
Drumming helps us return to the wisdom of our natural rhythms, spontaneity, and joy. Even if you don’t think you “have rhythm,” I invite you to let go of your inhibitions, pick up an “instrument” (a pot, bucket, sticks, or a beautifully toned drum). Start with a simple rhythm and just continue the beat. Trust your body to move intuitively and playfully. Another wonderful way to drum is to join a drumming circle. There are many all over the world—look for one and don’t be shy!
Enjoy this short video from drumming teacher Christine Stevens. Christine talks about why drumming is a powerfully transformative experience for mind, body, and spirit. [6]
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[1] Lionel Hampton and James Haskins, Hamp: An Autobiography (Harper Collins: 1999, ©1989), 8.
[2] See Barbara Ehrenreich, Dancing in the Streets: A History of Collective Joy (Holt Paperbacks: 2007).
[3] Dorian Friedman, “Drumming to the Rhythms of Life,” U.S. News & World Report 122, no. 22 (June 9, 1997), 17.
[4] Barbara Holmes, Joy Unspeakable: Contemplative Practices of the Black Church, second edition (Fortress Press: 2017), 40.
[5] Peter J. Paris, Virtues and Values: The African and African American Experience (Fortress Press: 2004), 47-48.
[6] Christine Stevens, Your Life on Drums, https://www.youtube.com/watch?v=tYt3WJZsW_M. Used with permission. See also Christine Steven’s curriculum, The Healing Drum Kit (Sounds True: 2005), and her short video Drumming for Meditation, https://www.youtube.com/watch?v=HBrczhjn2kA.
For Further Study:
Richard Rohr, Everything Belongs: The Gift of Contemplative Prayer (The Crossroad Publishing Company: 1999, 2003)
Richard Rohr, Immortal Diamond: The Search for Our True Self (Jossey-Bass: 2013)
Richard Rohr, St. Paul: The Misunderstood Mystic (Center for Action and Contemplation: 2014), CD, MP3 download)
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Richard Rohr Meditation: "Flesh and Spirit" The Center for Action and Contemplation in Albuquerque, New Mexico, United States for Friday, 6 April 2018
Richard Rohr's Daily Meditation
From the Center for Action and Contemplation
Week Fourteen: "Human Bodies"
"Flesh and Spirit"
Friday, April 6, 2018

The Apostle Paul tends to use dialectics in his writing, jockeying two seemingly opposite ideas to lead us to a deeper and third understanding. One of his most familiar dialectics is the way he speaks of flesh and spirit. Paul uses the word sarx, typically and unfortunately translated as “flesh” in most contemporary languages with a negative connotation in opposition to spirit. John’s Gospel uses this same word, sarx, in a wonderfully positive way: “The Word became flesh” (John 1:14). So flesh must be good too! But Paul’s usage had the larger impact.
If you read Galatians or Romans, you’ll probably understand these two terms in the usual dualistic way, which has done great damage: “Well, I’ve got to get out of my flesh in order to get into the spirit.” This was even true of many canonized saints, at least in their early stages—as it was with the Buddha. But I want to say as strongly as I can: you really can’t get out of the flesh! That’s not what Paul is talking about.
The closest meaning to Paul’s sarx is today’s familiar word “ego”—which often is a problem if we are trapped inside of it. So what Paul means by “flesh” is the trapped self, the small self, the partial self, or what Thomas Merton called the false self. Basically, spirit is the whole self, the Christ Self, the True Self “hidden with Christ in God” (Colossians 3:3) that we fall into by grace. The problem is not between body and spirit; it’s between part and whole.
Sarx or ego is the self that tries to define itself autonomously, apart from spirit, apart from the Big Self in God. It’s the tiny self that you think you are, who takes yourself far too seriously, and who is always needy and wanting something else. It’s the self that is characterized by scarcity and fragility—and well it should be, because it’s finally an illusion and passing away. It changes month by month. This small self doesn’t really exist in God’s eyes as anything substantial or real. It’s nothing but a construct of your own mind. It is exactly what will die when you die. Flesh is not bad, it is just inadequate to the final and full task, while posing as the real thing. Don’t hate your training wheels once you take them off your bicycle. You should thank them for getting you started on your cycling journey!
To easily get beyond this confusion, just substitute the word ego every time you hear Paul use the word flesh. It will get you out of this dead-end, false, and dualistic ping-pong game between body and spirit. The problem is not that you have a body; the problem is that you think you are separate from others—and from God. And you are not!
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Gateway to Presence: If you want to go deeper with today’s meditation, take note of what word or phrase stands out to you. Come back to that word or phrase throughout the day, being present to its impact and invitation.
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News from the CAC
The Poor People's Campaign: A National Call for Moral Revival
Fifty years after the assassination of Martin Luther King, Jr., people around the country are taking up his mantle, challenging systemic racism, poverty, the war economy, and ecological devastation. We are compelled to stand up for and with those on the margins. Rev. Dr. William Barber, Rev. Dr. Liz Theoharis, and organizations across the United States are mobilizing thousands to mass non-violent civil disobedience from May 13-June 21 at state capitals and in Washington, D.C.
Learn more and sign the pledge at poorpeoplescampaign.org.
(Note: The CAC is helping spread the word about this movement. Please visit poorpeoplescampaign.org or the campaign's Facebook page for additional information.)
"Image and Likeness"
2018 Daily Meditations Theme
God said, “Let us make humans in our image, according to our likeness.” (Genesis 1:26)
Richard Rohr explores places in which God’s presence has often been ignored or assumed absent. God’s “image” is our inherent identity in and union with God, an eternal essence that cannot be destroyed. “Likeness” is our personal embodiment of that inner divine image that we have the freedom to develop—or not—throughout our lives. Though we differ in likeness, the imago Dei persists and shines through all created things.
Over the course of this year’s Daily Meditations, discover opportunities to incarnate love in your unique context by unveiling the Image and Likeness of God in all that you see and do.
Each week builds on previous topics, but you can join at any time! Click the video to learn more about the theme and to find meditations you may have missed.
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Image credit: The Banjo Lesson (detail) by Henry Ossawa Tanner, 1893. Hampton University Museum, Hampton, Virginia.
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Albuquerque, New Mexico, United States
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